This month, I saw…
- Waterloo Bridge (1931)
- Dames (1934)
- Rashomon (1950)
- The Sun Shines Bright (1953)
- Red-headed Woman (1932)
- Trouble in Paradise (1932)
- China Seas (1935)
- Stagecoach (1939)
- 12 Angry Men (1957)
This month, I saw…
I’ve recently been slowly buy surely building a (physical) film collection. Blurays mostly, but a good number of DVD’s too (a sprinkling of VHS as well). A big portion of the blurays I’ve bought this year have been from Criterion. The Criterion Collection is a well known film distributor that I’ve fallen in love with. In 2014 alone I went from 0 to 22 Criterions! as of now (1/24/15), they are:
*=is on it’s way from France.
It’s impossible to rank them as they cover so many genre’s and time periods. But once I reach the 50 mark I will try to do a top ten, to the best of my ability. This is my list from Criterion’s website, it will no doubt grow exponentially over the course of this year…unfortunately for my wallet.
The absolute-to-buy on my list for this year includes: Modern Times, The Palm Beach Story, Throne of Blood, Sullivan’s Travels, Odd Man Out, The Furies (DVD), The Man Who Knew Too Much etc…
Other distributors I like are Olive, MoC and Kino. Grapevine video has a special place in my heart too because they do some pretty cool stuff like releasing the silent serial ‘The Perils of Pauline‘. That serial is literally over one hundred years old. Yeah. That is a hundred kinds of awesome…
Criterion can get pricey so make sure to buy during the sales. Barnes and Noble has bi-yearly sales in July and November (they last a few weeks). The Criterion site has flash sales (that last for 24 hours) in February and September (usually). Makes it easier on the wallet when blurays are $20 or so for one versus $39~ or whatever the SPR is.
Thanks for reading and happy watching 🙂
Kay Francis (January 13 1905 – August 26 1968)
Kay Francis was one of the highest paid stars of her day, and the Queen of the Warner Brothers lot before Bette Davis came around. She was gorgeous and was frequently on the best-dressed lists of the day. At 5’9 she was one of the tallest actresses around, and made for a spectacular clothes horse (seriously, she can never look bad in anything she wears).
Largely forgotten until TCM came around, she is celebrated now as being one of the greats of her day. She was always natural and sincere in her performances, which is why she still translates well in the modern day (as opposed to some of the more stagey actresses of those times).
She donated her personal diaries to Wesleyan University before she had died. They contain some of the most personal musings I’ve seen an actress/actor of the time bear. Perhaps the most quoted one is this, from 1938 (emphasis mine):
“My life? Well, I get up at a quarter to six in the morning if I’m going to wear an evening dress on camera. That sentence sounds a little ga-ga, doesn’t it? But never mind, that’s my life…As long as they pay me my salary, they can give me a broom and I’ll sweep the stage. I don’t give a damn. I want the money…When I die, I want to be cremated so that no sign of my existence is left on this earth. I can’t wait to be forgotten.” —From Kay Francis’s private diaries, ca. 1938
Whereas Bette fought for the good roles, Kay just wanted the money. This may or may not be why she faded away and eventually retired (relatively early) in 1946 from film, I don’t know. I do know that she was extremely talented and whether just for the money or not, I really think she put her heart into it.
Thanks for reading and happy watching! 🙂
Photoplay was a film fan magazine that started in 1911 and lasted until 1980. It was huge in its impact of how it made America interested in Hollywood/film culture (it would not be an exaggeration to pin Photoplay as one of the culprits of how obsessed we [America] are with celebrity and media today).
Anyhoo, Photoplay is basically amazing, especially when it covers my films in my wheelhouse (early 30s). Today I found the best burn ever, directed at Marie Prevost. Prevost was a popular star during the silent era but by 1928 or so she didn’t have a whole lot of jobs coming her way (Her last leading role was in 1928’s The Racket). Prevost was having an affair with The Racket’s producer, Howard Hughes (AKA Leonardo DiCaprio in The Aviator). When that ended she was devastated, and fell into a deep depression. She gained a ton of weight and never worked as a leading lady again. The once popular star was now an alcoholic, overweight and miserable. It’s depressing how common you see this sort of pattern in old Hollywood.
In the 1932 September issue of Photoplay (page 112) there is a section called ‘Screen memories from Photoplay’ in which they talk about things that Photoplay covered 5, 10 and 15 years ago. In the ’10 years ago section’ they covered Gloria Swanson’s trip to Paris and there they mentioned Prevost.
What a gay little story we printed–the one about Marie Prevost, in which we pointed out (and ran a picture to prove it) that Marie had just about the best pair of legs then in Hollywood.
How were we to know that Marlene Dietrich was coming along with those glorious stems? And that Marie was to look too long upon French pastry and chocolate pie and lose that gorgeous figure?
Ouch. Nothing like kicking an actress when she’s down, am I right? Well, I suppose Photoplay would have no way of knowing that Prevost would be dead before the decade was up. More reading on Marie here and here. Her name/story would later become the title of the (misspelled) song “Marie Provost“. How far do the the great ones fall.
No Man of Her Own premiere
No Man of Her Own is a must-see film for one big reason. That being, it stars budding stars Clark Gable and Carole Lombard as the two leads years before they even got together in real life (The film was done in 1932, they started dating in ’36 and married in ’39). They never made any films after this, even after they started dating and got married; which makes this film all the more special. While they were making the picture they were married to different people–Clark Gable to socialite Rhea Langham and Carole Lombard to actor William Powell. While filming they didn’t think much of each other, any feelings they had certainly weren’t romantic. Gable gave Lombard a pair of ballerina slippers with a card attached that said “To a true primadonna.” Lombard got the last word in however when she sent to Gable a ten-pound ham with a picture of his face on it (ha! what I wouldn’t give to see his reaction to that…).